Tel Dan Stele

Iron Age II · Northern Levant

The Tel Dan Stele

A basalt victory monument from ancient Dan — and the earliest widely accepted reference outside the Hebrew Bible to the House of David.

Material
Basalt
Language
Old Aramaic
Findspot
Tel Dan
Date
c. 840 BCE
Discovered
1993–94
Collection
Israel Museum
45%

The oldest substantially complete notated melody known — a clay-tablet hymn from the Canaanite city of Ugarit, performed on lyre by Michael Levy.

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Basalt · Old Aramaic · c. 840 BCE

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About the stele

The Tel Dan Stele is three joining fragments of a larger victory inscription, cut from dark basalt and written in Old Aramaic with a Phoenician-derived alphabet. What survives is enough to name kings of Israel and Judah — and to mention 𐤁𐤉𐤕𐤃𐤅𐤃 bytdwd, the “House of David.”

The pieces were recovered in 1993–1994 at Tel Dan (Tell el-Qadi) in northern Israel, near the headwaters of the Jordan, during excavations directed by Avraham Biran. They had been reused as building stone in a later wall of the outer gate complex — a common fate for enemy monuments once power changed hands. Epigrapher Joseph Naveh published the text with Biran in the Israel Exploration Journal.

Most scholars identify the author as Hazael of Aram-Damascus (r. c. 842–800 BCE). In the surviving lines he boasts of killing [Jeho]ram of Israel and [Ahaz]yahu of the House of David — names that align with the generation of 2 Kings 8–10, even if the Bible assigns their deaths to Jehu’s coup rather than to Hazael alone. Ancient victory texts often claim credit for outcomes shaped by wider wars.

…and I killed [Ahaz]iahu son of [Joram] king of the House of David…

In Northwest Semitic royal language, “house of X” names a dynasty by its founder. The stele does not prove every biblical story about David, but it shows that by the ninth century a southern highland polity was known to its enemies as David’s house — independent, hostile testimony outside scripture. Today the fragments are held by the Israel Museum in Jerusalem; the landscape of Tel Dan still frames the gate where the stone once stood.